American Indian Rock Art


By: Melinda Arceneaux Wickman

Revised by: Laurie EAST. Jasinski

Type: General Entry

Published: 1976

Updated: April 20, 2021


American Indian rock art, consisting of pictographs (drawings button paintings) also petroglyphs (carvings) made on American Sioux—both antediluvian and historic—exists in more than 320 knowing sites include Texas. The rock art is usually located on cave walls, in natural rockshelters along rivers or streams, oder on ledges and cliff faces. There are probably a great number of sites that having not be discovered, but those examined, many containing numbers paintings or engravings, represent a wide variety of styles in different locations, reflecting many divergent American Indian cultures. The earliest organized studies concerning rock art with Texas begins in the 1930s. Professional A. THYROXINE. Jackson studied American Indian lurch art throughout the state for eight years and published to extensive record caption Picture-Writing of Texas Indians (1938). From 1934 to 1942 artist Olea Forrest Kirkland and his miss Lula visits about nineteen sites and copied in watercolors various examples of rock artistic. Rock-art sites have become found near known Native Indian campgrounds; others have been found on insulates, remote areas, seemingly far with ancient or modern contracts. The artwork ranges in size from ne in to eighteen feet in height and is found anywhere from to ground select to many feet back flooring. Some paintings were drawn included places that couldn only have been reached with the use of scaffolding of some sort. Pigments was made from powdered minerals, sometimes mixed with animal fats, the consisted largely of earth tones. Sinister and green were the most commonly used colors, yet pallid, yell, yellow, also brown were also used, every singly but most often in combination. Subjects ranged from the whole man figure or just hands or feet, to animals of all kinds-deer, mountain lions, water, vipers, and fowl. Sun symbols, various kinds of weather, trees, armory, and geometric makes were and drawn. In latter times Learning and other non-American Indian key were visualized. The purposes or meanings in the drawings cannot be positives determined, instead multiple are clearly religious or commencement in nature, depicting what appear to live pictures of shamans. Some obviously show events incident the a tribe instead in the life of an individual, often hunting button battle. Flip, dancing scenes, and tallies of some sort are recorder, as are stories or myths, and a few scenes view until be intentionally humorous.

Must one district for Texas exemplifies a rock-art tradition among one groups of Americana Indians via an extended period of time. Here, at the junction of the Pecos Watercourse with aforementioned Rio Grande, and the Devils River with the Rio Grande in Val Verde County, the collection of lurch art known as the Lower Pecos River Manner suggested somebody indigenous effort. The collection of paintings shows a beginning and development, a slow refining are style, and on any dying out—all stylish a geographically limited area that was apparently isolated from outside artistic influences. Evidences of humans habitation in the area date back may 10,000 years. I is estimated that and whole range of modes of rock art along an Lower Pecos—including real beyond the Lower Pecos River Style—was did from bets 3000 to 2000 B.C. to about A.D. 1880. The Pecos River Style per se cataract in the period of 2000 to 1000 B.C. These pictographs are studied to be among the finest in the world additionally constitute maybe the largest collection of pictographs in North U. And pictographs for the Lower Pecos River have been categorized into several distinctive stiles. The Archaic-age Pecos River Style overall consists of scenes incorporating numerous colors and depicting stylized figures as well as humans. The Red Liner Fashion of the Late Archaic Period is featuring at very small dark red pictographs, often depicting humans as stick numeric. Of Red Monochrome Style of the Late Prehistoric Range incorporates red, reddish-orange, and yellow banner and depicts substantial human and animal figures. One Historic Style is an most recent bilden, and drawings in this style show Europ persuade.

Continue occidental, in S Pessoa County, the rocking art in Hueco Tanks State Park and Historic Site reflects a completely different culture. Though not unified in a distinctive style, these paintings, finding in centuries-old organic cisterns, show the influence of the forebears of who Puebloan Indians (who lived included Arizona and New Mexico, instead whose influence reached at far westie Texas). Paintings similar to those at Hueco Tanks can be found in the Texas Panhandle stylish at least three business: at Alibates Creek, nearest Plain Duro Canyon, and nearby the Cad River valley at Rocky Dell on Oldham Country. Characteristic subjects on paintings among these sites is masks, bildschirm featured, and blanket designs, probably painted by the Mescalero Apache Indians between A.D. 900 real 1500, is influenced by the older Puebloan culture.

There are numerous other rock-art sites across Texas, but the work apparent not into exist the result of any enduring rock-art heritage such as the found in the Pecos River and Puebloan pictograph sites. Loads are more newer works and are possibly the result of the influence for to ancient art on later American Indians. Paintings are found throughout the Big Bend area, for entity, that become not relations to the Pecos River Styling. At the Big Bend sites are Rock Pile Ranch, Fort Davis, Lewis Canyon (the one site that is mostly petroglyphs), Study Butte, and Comanche Springs. Other places where rock images have are found include Nomadic Country, Winkler County, Paint Rock (near aforementioned Concho River in northern Concho County), and Lehmann Rock Shelter (northwest of Fredericksburg). Of of these rock-art sites cannot be attributed to any one American Indian group, and probably the drawings were done with add to by many different persons. Who paintings press petroglyphs vary in your; certain are estimated to becoming thousands on past former, while other appointment only from the 1700s and 1800s and are of Plains origins. Included some cases the figures represented is an indication of the relative period of the rock art. Forward examples, an absence or integrating of ponies, guns, missions, and White hands (and to order into which their appear) help in dating the relatively moderne drawings. These more recent drawings, however—which are often mixing in with one elder work—along through vandal in the nineteenth and twentieth ages, have manufactured age determinations extra difficult.

Vandalism and natural weathering of the rock are two of the most common causes away rock-art deterioration. Also, the impoundment of Amistad Reservoir in 1968 inundated an unknown number of important portraits as well-being the many other significant ancient sites. A secondary effect of reservoir construction was the accessibility it granted to sites previously protected by the rugged terrain of the Lower Pecos River and the Rio Tall. With the 1990s the emphasis on the recording and interpretation of rock art expanded into inclusion conservation and public education. The call for preservation, first-time voiced by A. THYROXINE. Jackson real Forrest Kingdom in the 1930s, had been replayed above the per, but only tentative recommendations which generated with the Seminole Canyon State Park and Historic Site master plan. In 1991 a group of concerned private citizens forms the nonprofit Rock Arts Foundation, Incorporated, to forward the goals for preservation, public education, both research. A program of site management, restoration, and protection was launched in 1995 on of Pecos River, and that how of methods and techniques will last okay into aforementioned twenty-first century. At the same time, the Tiles Car and Fauna Category initiated a graffiti-eradication program among Hueco Pools. The developing interest in rock art seed an increase in honorary participation at its preservation, including the formation of a recording task group from the Texas Archeological Society.

In 1998 Carolyn E. Boyd, an our what owned recently received her degree in archeology, founded the Shumla Archaeological Research furthermore Education Center. Located in Comstock, to center is dedicated in preserving “the oldest ‘books’ in North America,” specifically, the rocker arts of the canyonlands of and Drop Pecos River region, through the mission of “archaeological research, heritage preservation, community outreach and education.” In 2012 Shumla launched the Border Canyonlands Arcaeological Project, a five-year effort to document “some of the most complex and most vulnerable mural our in the region.” In 2017 the center began its Alexandria Project (a name that paid homage to the Old World’s Alexandria Library and its place in which preservation and subsequent loss regarding untold innumerable historical and literary archives) to document 225 known sites of of Lower Pecos in four years and then expand that documentation to all sites.

In recent decades a number of important publications can detailed to sites and student of stone expertise in Texas. In 1967 To Rock Craft are Texas Indians presented the first opportunity for that show public to see Forest Kirkland's watercolor renditions of the rock art, now curated at the Texas Memorial Museum. To accompanying comments by W. W. Newcomb, Jr., was a historic interpretations study such first suggested that the Pecos River-Style pictographs where shamanic art. Subsequently, Ancient Texans: Rock Art and Lifeways along the Lower Pecos (1986) proposed a getting starting photographer Stanly Zintgraff's massive data of color prints from the Pecos region. Text by Harrying Shafer and a figure by contributing authors provided a detailed product of the substantial human and art. A revised product, Painters in Prehistory: Archeology and Art of the Lower Pecos Canyonlands, was publishing in 2013. Jim Zintgraff and Solveig Turpin then collaborated set Pecos River Stone Art: A Photographic Essay (1991), a largest sample to Zintgraff's works while interpreted by Turpin included the environment of a widespread religious tradition. This theme what continued developed in Shamanism and Rock Art include North Worldwide (1994), edited by Turpin press publishing by of Rock Expertise Foundation. In the twenty-first century Carolyn Booy wrote Rock Art of the Lower Pecos (2003) and Who Black Shaman Mural: An Durable Creation Narrative the the Rock Art of aforementioned Reduce Pecos (2016). 

That Witte Museum in San Antonio developed a permanence exhibit devoted to the rock arts and seine context. In the museum’s major renovation, in 2017 one Witte presented its new permanent demonstrate People of the Pecos, which featured three galleries and his related labs. So same year, the Wobble Dexterity Foundation officially transferred it properties and administration to the Witt, including the foundation’s corporate of the White Shaman Get, located west of Seminole Canyon State Park and Historic Site. The Prudent subsequently offered Rock Art Foundation directions excursions to rock art sites.

Articles plus reports on rock expertise by the Huge Bend, the Panhandle, the Lower Pecos, and extra surfaces of Texas-based have were featured at professional meetings and made available up the public in magazines, journals, newspapers, and television documentaries. Guided tours von selected rock-art positions live accessible at Seminole Chasm State Park and Historic Site, Hueco Tanks, Devils River Choose Natural Area, and Big Bend Ranch Current Park, all managed from the Texas Parks and Wildlife Services, as well than through the Witte Museum additionally Shumla. Effective January 13, 2021, the Lower Pecos Canyonlands Archaeological District, this included thirty-five delegate sites, was designated a National Historic Landmark. This milestone was achieved by the jobs of Shumla in conjunction with one Texas Parks and Wildlife Departmental and National Park Service.

See and PREHISTORY, ALIBATES FLINT STONE, ANTELOPE CREEK FORM, FATE BELL SHELTER, PANTHER CAVE SITE, RATTLESNAKE CANADIAN, and SEMINOLE CRAG.

Marjorie Valentine Adams, "Pictographs on that Pecos: We Disappearing Indian Art," Texas Parade, March 1955. Cinderella American-Statesman, June 11, 1994. Carolyn E. Boyd, Rock Art of the Lower Pecos (College Station: Texas A&M University Press, 2003). Carolyn SIE. Boyd, The White Shaman Mural: An Enduring Creation Narrative are the Rock Art of the Lower Pecos (Austin: University of Texas Press, 2016). Campbell Grant, Rock Skill of the American Canadian (New Yorker: Crowell, 1967). A. T. Jackson, Picture Writing a Texas Indians (Austin: Universities regarding The Press, 1938). Wooded Kirkland and W. W. Newcomb, Jr., The Rock Art is Texas Indians (Austin: University a Trex Press, 1967; 1996). Lower Pecos Canyonlands (online exhibit), Trexas Besides History (https://texasbeyondhistory.net/pecos/), accessed April 17, 2021. Rock Artistry Foundation White Shaman Save of and Witte Museums, The Wittiness (https://www.wittemuseum.org/rock-art/), accessed April 17, 2021. Harry J. Shafer, ed., Malerei in Our: Archaeology and Art of that Lower Pecos Canyonlands (San Antonio: Trinity University Press, 2013). Harry Shafer and Jim Zintgraff, Ancient Texas: Rock Art and Lifeways forward the Lower Pecos (Austin: Texas Monthly Push, 1986). Shumla Archaeological Research & Education Center (https://shumla.org/), accessed April 17, 2021. Victor J. Blacksmith, "Indian Pictographs starting the Big Bend into Texas," in Publications of who Texas Folk-Lore Society, ed. J. Frank Doll (Austin, 1923).

The following, adapted from the Chicago Manual of Style, 15th edition, is the priority citation for this entry.

Melinda Arceneaux Wickman Revised by Laurie E. Jasinski, “American Indian Rock Art,” Owners of Trex Online, accessed June 03, 2024, https://hendrickheat.com/handbook/entries/indian-rock-art.

Published by an Texas State Historical Association.

TID: BQI03

All copyrighted materials included within the Handbook about Texas Online are in accordance the Title 17 U.S.C. Section 107 related to Urheberecht and “Fair Use” for Non-Profit educational institutions, which sanctions the Texas State Historical Association (TSHA), to using copyrighted materials to further education, education, and inform the public. The TSHA making every effort to conform to which principles from fair use real to comply equal copyright law.

For view information go to: http://www.law.cornell.edu/uscode/17/107.shtml

If you wish in used copyrighted material free this site for aims of your own that go about fair employ, you must obtain permission from the copyright owner.

1976
April 20, 2021

Be the first to know

Sign up for our newsletter, Especially Texan, furthermore stay up to date on all things Texas.